Wednesday, 11 December 2013
Monday, 9 December 2013
9th December: A Child of the Snows
GK Chesterton’s poem A Child of the Snows seems to resonate with a northern Advent, although we don’t have sleet or snow - yet. The poem shows us the Christmas story in a very different way.
There is heard a hymn when the panes are dim,
And never before or again;
When the nights are strong with a darkness long,
And the dark is alive with rain.
Never we know but in sleet and in snow,
The place where the great fires are,
That the midst of the earth is a raging mirth,
And the heart of the earth a star.
And at night we win to the ancient inn
Where the child in the frost is furled,
We follow the feet where all souls meet
At the inn at the end of the world.
The gods lie dead where the leaves lie red,
For the flame of the sun is flown,
The gods lie cold where the leaves lie gold,
And a Child comes forth alone.
One explanation of the poem says that Chesterton was inspired by Dickens’ A Christmas Carol where, near the end of the Crachet Family Christmas dinner, we read:
All this time the chestnuts and the jug went round and round; and by-and-bye they had a song, about a lost child travelling in the snow, from Tiny Tim, who had a plaintive little voice, and sang it very well indeed.
There is heard a hymn when the panes are dim,
And never before or again;
When the nights are strong with a darkness long,
And the dark is alive with rain.
Never we know but in sleet and in snow,
The place where the great fires are,
That the midst of the earth is a raging mirth,
And the heart of the earth a star.
And at night we win to the ancient inn
Where the child in the frost is furled,
We follow the feet where all souls meet
At the inn at the end of the world.
The gods lie dead where the leaves lie red,
For the flame of the sun is flown,
The gods lie cold where the leaves lie gold,
And a Child comes forth alone.
One explanation of the poem says that Chesterton was inspired by Dickens’ A Christmas Carol where, near the end of the Crachet Family Christmas dinner, we read:
All this time the chestnuts and the jug went round and round; and by-and-bye they had a song, about a lost child travelling in the snow, from Tiny Tim, who had a plaintive little voice, and sang it very well indeed.
Saturday, 7 December 2013
8th December: The World Waits
Ken Harratt has provided today’s Advent calendar page. Ken writes:
I have specially composed this arrangement for solo piano of two Advent carols: O come, O come, and The Angel Gabriel. My thinking was, simply, footsteps. Either the journey we are all on in life, or the journey that Mary and Joseph made to Bethlehem, or anything else that involves waiting to arrive, or waiting for an arrival
I have specially composed this arrangement for solo piano of two Advent carols: O come, O come, and The Angel Gabriel. My thinking was, simply, footsteps. Either the journey we are all on in life, or the journey that Mary and Joseph made to Bethlehem, or anything else that involves waiting to arrive, or waiting for an arrival
7th December: a new dawn
Nelson Mandela brought a new dawn to South Africa. Here’s a poem by Dennis Brutus - more about him below
Christmas 1965
Through the bruises and the spittle
the miasma of invective
and the scaled refractions of our prejudice
painfully man emerges.
Straw, shavings, hay
and the mist of the cows’ cloudbreath:
and through it flickered the lambence
of man’s inherent divinity.
Dennis Brutus, 1924 - 2009. Born in Salisbury (now Harare) in Southern Rhodesia (now Zimbabwe) of coloured parents. Grew up and educated in South Africa. He taught English and Afrikaans in South African high schools. Because of his opposition to apartheid he was fired and banned from teaching and eventually jailed on Robben Island where he served 18 months’ hard labour. He was allowed to leave with his family and became an active campaigner. You can read an obituary here.
Tomorrow: Ken has arranged music for advent: The World Waits
Thursday, 5 December 2013
6th December: a poem by Ursula Fanthorpe
Ursula Fanthorpe used to wrote a poem every Christmas and send it out with her Christmas cards. Here’s one called BC:AD
This was the moment when Before
Turned into After, and the future’s
Uninvented timekeepers presented arms.
This was the moment when nothing
Happened. Only dull peace
Sprawled boringly over the earth.
This was the moment when even energetic Romans
Could find nothing better to do
Than counting heads in remote provinces.
And this was the moment
When a few farm workers and three
Members of an obscure Persian sect
Walked haphazard by starlight straight
Into the kingdom of heaven.
This was the moment when Before
Turned into After, and the future’s
Uninvented timekeepers presented arms.
This was the moment when nothing
Happened. Only dull peace
Sprawled boringly over the earth.
This was the moment when even energetic Romans
Could find nothing better to do
Than counting heads in remote provinces.
And this was the moment
When a few farm workers and three
Members of an obscure Persian sect
Walked haphazard by starlight straight
Into the kingdom of heaven.
Tuesday, 3 December 2013
Peace
After yesterday’s rather energetic picture, here’s a peaceful scene from Sally Clark
... And this poem by Dylan Thomas seems to fit:
We Lying By Seasand
We lying by seasand, watching yellow
And the grave sea, mock who deride
Who follow the red rivers, hollow
Alcove of words out of cicada shade,
For in this yellow grave of sand and sea
A calling for colour calls with the wind
That's grave and gay as grave and sea
Sleeping on either hand.
The lunar silences, the silent tide
Lapping the still canals, the dry tide-master
Ribbed between desert and water storm,
Should cure our ills of the water
With a one-coloured calm;
The heavenly music over the sand
Sounds with the grains as they hurry
Hiding the golden mountains and mansions
Of the grave, gay, seaside land.
Bound by a sovereign strip, we lie,
Watch yellow, wish for wind to blow away
The strata of the shore and drown red rock;
But wishes breed not, neither
Can we fend off rock arrival,
Lie watching yellow until the golden weather
Breaks, O my heart's blood, like a heart and hill.
Dylan Thomas
... And this poem by Dylan Thomas seems to fit:
We Lying By Seasand
We lying by seasand, watching yellow
And the grave sea, mock who deride
Who follow the red rivers, hollow
Alcove of words out of cicada shade,
For in this yellow grave of sand and sea
A calling for colour calls with the wind
That's grave and gay as grave and sea
Sleeping on either hand.
The lunar silences, the silent tide
Lapping the still canals, the dry tide-master
Ribbed between desert and water storm,
Should cure our ills of the water
With a one-coloured calm;
The heavenly music over the sand
Sounds with the grains as they hurry
Hiding the golden mountains and mansions
Of the grave, gay, seaside land.
Bound by a sovereign strip, we lie,
Watch yellow, wish for wind to blow away
The strata of the shore and drown red rock;
But wishes breed not, neither
Can we fend off rock arrival,
Lie watching yellow until the golden weather
Breaks, O my heart's blood, like a heart and hill.
Dylan Thomas
Advent as a journey
Advent is often described as a journey and although not at all Christmassy, one of my favourite journey works of art is JMW Turner’s Rain, Steam, and Speed - The Great Western Railway.
The train is crossing Brunel’s Maidenhead bridge over the Thames, a brick arch bridge which was for may years the widest and flattest brick arch in the world. It’s difficult to believe that this arch is made up of such small elements - but it’s still in use today!
Monday, 2 December 2013
The meaning of Advent - Oscar Romero
Sue has given me a copy of the quote that she reads at the start of every Advent which says it all to her. It’s by Oscar Romero, the Archbishop of San Salvador who was assassinated in 1980, reportedly because of his work with the poor:
Advent should admonish us to discover
in each brother or sister that we greet,
in each friend whose hand we shake,
in each beggar who asks for bread,
in each worker who wants to use the right to join a union,
in each peasant who looks for work in the coffee groves,
the face of Christ.
Then it would not be possible to rob them,
to cheat them,
to deny them their rights.
They are Christ,
and whatever is done to them
Christ will take as done to himself.
This is what Advent is:
Christ living among us
Advent should admonish us to discover
in each brother or sister that we greet,
in each friend whose hand we shake,
in each beggar who asks for bread,
in each worker who wants to use the right to join a union,
in each peasant who looks for work in the coffee groves,
the face of Christ.
Then it would not be possible to rob them,
to cheat them,
to deny them their rights.
They are Christ,
and whatever is done to them
Christ will take as done to himself.
This is what Advent is:
Christ living among us
Saturday, 30 November 2013
1st December: And is it true...? Christmas by John Betjeman
John Betjeman’s poem “Christmas” leads us from the pressure of Christmas shopping - accentuated by Black Friday squabbles - to the meaning of Christmas
The bells of waiting Advent ring,
The Tortoise stove is lit again
And lamp-oil light across the night
Has caught the streaks of winter rain
In many a stained-glass window sheen
From Crimson Lake to Hookers Green.
The holly in the windy hedge
And round the Manor House the yew
Will soon be stripped to deck the ledge,
The altar, font and arch and pew,
So that the villagers can say
‘The church looks nice’ on Christmas Day.
Provincial Public Houses blaze,
Corporation tramcars clang,
On lighted tenements I gaze,
Where paper decorations hang,
And bunting in the red Town Hall
Says ‘Merry Christmas to you all’.
And London shops on Christmas Eve
Are strung with silver bells and flowers
As hurrying clerks the City leave
To pigeon-haunted classic towers,
And marbled clouds go scudding by
The many-steepled London sky.
And girls in slacks remember Dad,
And oafish louts remember Mum,
And sleepless children’s hearts are glad.
And Christmas-morning bells say ‘Come!’
Even to shining ones who dwell
Safe in the Dorchester Hotel.
And is it true,
This most tremendous tale of all,
Seen in a stained-glass window’s hue,
A Baby in an ox’s stall ?
The Maker of the stars and sea
Become a Child on earth for me ?
And is it true ? For if it is,
No loving fingers tying strings
Around those tissued fripperies,
The sweet and silly Christmas things,
Bath salts and inexpensive scent
And hideous tie so kindly meant,
No love that in a family dwells,
No carolling in frosty air,
Nor all the steeple-shaking bells
Can with this single Truth compare -
That God was man in Palestine
And lives today in Bread and Wine.
The bells of waiting Advent ring,
The Tortoise stove is lit again
And lamp-oil light across the night
Has caught the streaks of winter rain
In many a stained-glass window sheen
From Crimson Lake to Hookers Green.
The holly in the windy hedge
And round the Manor House the yew
Will soon be stripped to deck the ledge,
The altar, font and arch and pew,
So that the villagers can say
‘The church looks nice’ on Christmas Day.
Provincial Public Houses blaze,
Corporation tramcars clang,
On lighted tenements I gaze,
Where paper decorations hang,
And bunting in the red Town Hall
Says ‘Merry Christmas to you all’.
And London shops on Christmas Eve
Are strung with silver bells and flowers
As hurrying clerks the City leave
To pigeon-haunted classic towers,
And marbled clouds go scudding by
The many-steepled London sky.
And girls in slacks remember Dad,
And oafish louts remember Mum,
And sleepless children’s hearts are glad.
And Christmas-morning bells say ‘Come!’
Even to shining ones who dwell
Safe in the Dorchester Hotel.
And is it true,
This most tremendous tale of all,
Seen in a stained-glass window’s hue,
A Baby in an ox’s stall ?
The Maker of the stars and sea
Become a Child on earth for me ?
And is it true ? For if it is,
No loving fingers tying strings
Around those tissued fripperies,
The sweet and silly Christmas things,
Bath salts and inexpensive scent
And hideous tie so kindly meant,
No love that in a family dwells,
No carolling in frosty air,
Nor all the steeple-shaking bells
Can with this single Truth compare -
That God was man in Palestine
And lives today in Bread and Wine.
The meaning of Christmas
Is it really six months since I last blogged? It’s been a busy summer!
Prompted by the start of Advent again, I’m going to try to do an entry each day with an advent or Christmas thought.
What does Christmas mean to you?
Prompted by the start of Advent again, I’m going to try to do an entry each day with an advent or Christmas thought.
What does Christmas mean to you?
Saturday, 8 June 2013
Simple computer tips – the tab key
Do you remember typewriters? Most had a tab function that allowed the carriage to move to pre-determined columns when the tab key was hit. Some had pre-determined tab settings (the columns that would be used) others had complicated mechanical devices to adjust the columns. The tab function on PCs is similar - but more sophisticated. There are two main uses of the tab key. One is similar to the typewriter tab - more of this tomorrow - but the other is slightly different but very useful. How often do you enter multiple fields - for example your e-mail address followed by a password? You can use the mouse pointer and click on successive fields to achieve this but the tab key is much quicker. Once you have completed entering you e-mail address, pressing tab will take the cursor to the next entry field.
By the way, the term “field” is used to describe the places on a form or similar where you enter some information.
Have a go at tabbing between the fields in the example below. You can enter your details but nothing happens to them on the blog!
Another place that this can be used is when writing a new e-mail. You have to move the cursor between the address fields (the addresses of people to whom you are sending the e-mail) the subject line and the body of the e-mail. There’s no need to move the mouse and click between these: this is much quicker because your hands are already on the keyboard.
Have a go at tabbing between the entry fields on an e-mail
Thursday, 6 June 2013
Simple computer tips - the difference between backspace and delete
There are two keys for deleting: backspace and delete.
When editing a document, the difference is fairly obvious: backspace deletes the character to the left of the cursor and moves the cursor back one space whereas delete deletes the character to the right of the cursor.
Have a go deleting single characters: with a new e-mail or text document, put the cursor somewhere in the middle and try the two delete keys.
When text is marked or selected, both keys have the same effect: deleting the selected text. Incidentally, do you know that if you want to replace some text with something else, it’s not necessary to delete before starting to type? Selecting the text then typing deletes the selected text and immediately inserts the text you type.
Have a go at overtyping: again with a new e-mail or text document, select some text then start typing - the selected text is deleted and replaced by the text you type: no need to press delete or backspace
When editing a document, the difference is fairly obvious: backspace deletes the character to the left of the cursor and moves the cursor back one space whereas delete deletes the character to the right of the cursor.
Have a go deleting single characters: with a new e-mail or text document, put the cursor somewhere in the middle and try the two delete keys.
When text is marked or selected, both keys have the same effect: deleting the selected text. Incidentally, do you know that if you want to replace some text with something else, it’s not necessary to delete before starting to type? Selecting the text then typing deletes the selected text and immediately inserts the text you type.
Have a go at overtyping: again with a new e-mail or text document, select some text then start typing - the selected text is deleted and replaced by the text you type: no need to press delete or backspace
Subscribe to:
Posts (Atom)